The venereal monologue of opener 'Kingsize' is soundtracked by minimal electronics, whereas 'Why This' sees Hval toy with layering to create cosmic, surreal tracks for her ambitious vocal delivery and songwriting to sit atop. 'Sabbath' is a surreal pop song in which Hval switches between a beautifully effortless vocal melody and a visceral and thought-provoking spoken-word piece. The alarming artwork compliments the mood of the album to a tee, 'Apocalypse, Girl' is the haunting, cosmic soundtrack to your favourite nightmare.
17/20
By Marty Hill
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